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solitaire - handmade embroidered leather ballet flats - kundan juttis - traditional jutti / mojari / khussa with a contemporary

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solitaire - handmade embroidered leather ballet flats - kundan juttis - traditional jutti / mojari / khussa with a contemporary

solitaire - handmade embroidered leather ballet flats - kundan juttis - traditional jutti / mojari / khussa with a contemporary solitaire - handmade embroidered leather ballet flats - kundan juttis - traditional jutti / mojari / khussa with a contemporary solitaire - handmade embroidered leather ballet flats - kundan juttis - traditional jutti / mojari / khussa with a contemporary solitaire - handmade embroidered leather ballet flats - kundan juttis - traditional jutti / mojari / khussa with a contemporary solitaire - handmade embroidered leather ballet flats - kundan juttis - traditional jutti / mojari / khussa with a contemporary

solitaire - handmade embroidered leather ballet flats - kundan juttis - traditional jutti / mojari / khussa with a contemporary

A year after Ray’s death, the Apu trilogy’s l negatives were casualties of a massive film-vault fire in London. Resurrecting the damaged features demanded the foresight and vigilance of the Academy of Motion Picture Arts and Sciences Film Archive, world searches for surviving prints, a 20-year wait for the right technology and two-plus years of meticulous digital restoration by the whizzes at the Criterion Collection. Peter Becker, the DVD label president and partner in its sister company Janus Films, distributor of the films, calls that restoration “the hardest thing we’ve ever done.”.

The second shift of firefighters at the warehouse were rolling up the door and pulling out charred debris — a piano, a sculpture, a sign that read “Come Drink” — to make a path inside, The graffiti art and block lettered “Ghost Ship” painted on the lavender-and-grey building facade was faded by blackened soot, Crews solitaire - handmade embroidered leather ballet flats - kundan juttis - traditional jutti / mojari / khussa with a contemporary stood on the roof of a building next door and peered through the collapsed roof, Light smoke wafted into the chilly morning air, and the enormity of the tragedy came into focus..

Pranic Healing: Choa Kok Sui leads the weekly classes. Sundays, 3-4 p.m. Joan Pisani Community Center, 19655 Allendale Ave., Saratoga. RSVP is required to tinyurl.com/saratogaclass. Learn Hindi: Instructors Dhawal Tyagi leads a weekly free Hindi language class for beginners, open to all. Sundays, 4-5 p.m./beginners, 5-6 p.m. advanced. Joan Pisani Community Center, 19655 Allendale Ave., Saratoga. RSVP is required to tinyurl.com/saratogaclass. Bollywood Fitness: Family-friendly Bollywood workout classes, open to all. Sundays, 4-5 p.m. Joan Pisani Community Center, 19655 Allendale Ave., Saratoga. Free. RSVP is required to tinyurl.com/saratogaclass.

Singing three songs by Poulenc — his “Metamorphoses” collection, from 1943 — Bullock celebrated the sensuous flow of the French verse by Louise de Vilmorin, There was charm and ease and opulent tone, delivered with great naturalness — perhaps a disguise, as Bullock and Rohlfing, after taking their bows, walked offstage with looks of fierce self-evaluation on their faces, They returned for two songs by Messiaen — “Bail avec Mi” (“Bond with Mi”) and “Katchikatchi the stars” — the first mysteriously celestial, full of stillness (and a couple of strained top notes), the second a solitaire - handmade embroidered leather ballet flats - kundan juttis - traditional jutti / mojari / khussa with a contemporary tumble of earthy dance, ending with a howl, And that was the recital’s first half — not quite 30 minutes of music, The singer and pianist had skipped several songs listed on the program, and intermission arrived prematurely..

Orton was the lead developer in the refurbishing of the 1440 Broadway site in Oakland that is now home to Oaklandish, 750 Gilman St. in Berkeley and, in Richmond, the Rosie the Riveter Museum and the $50 million, 525,000-square-foot Ford Point project. “Our bread and butter is really redevelopment of historically challenging projects,” Bradley said. Although she expects that “the city is going to donate some sort of funds” and cited $3 million, “we’re the ones on the hook for financing, getting everything approved, the construction and bringing in the tenants. The city of Oakland retains ownership.”.

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