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Rep. A. Donald McEachin, D-Va., issued a separate statement also calling for Fairfax to resign. National Democrats piled on, including Sen. Cory Booker, D-N.J. — who said “it is no longer appropriate for [Fairfax] to serve” — and Sen. Kirsten Gillibrand, D-N.Y. Republican leaders in the Virginia state Senate called for criminal investigations while Democrats in the Senate and the House issued a joint statement calling for Fairfax’s resignation. Duke has asked Fairfax to leave the Sanford School of Public Policy Board of Visitors until the allegations are resolved, school officials said.

Silicon Valley Ball, 8 p.m.-midnight, Dec, 13, Kathy Griffin, Roy Rogers, Paula Harris, Danny Click, Mustache Harbor and more, in four venues, Food, Supports arts and entertainment in Redwood City, $125, 650-369-7770 ot, Los Altos History Museum, “Silicon Valley: The Lure & the Legends,” through April 19, Los Altos History Museum, 51 S San Antonio Road, Los Altos, Noon-4 p.m., Thursdays-Sundays, Free,, San Mateo County History Museum, “Scenes of San Mateo County,” through Dec, 31, eight ballet flats melbourne original paintings of historic sites on the Peninsula, San Mateo County History Museum, 2200 Broadway, Redwood City, or 650-299-0104..

The concert had a couple of ringers in the lineup — Pitbull and Iglesias — but organizers only gave one of them an opportunity to truly shine. Iglesias was, by far, the most talented entertainer on the bill. Yet he appeared surprisingly early in the show, sandwiched between Oakland native Zendaya and Justin Bieber wannabe Austin Mahone. I’m not sure in what universe Mahone gets a better slot than Iglesias, but it’s clearly not one that appreciates good music. Still, Iglesias made the most with what he had. He sounded terrific as he crooned through a four-song, 15-minute. That’s not surprising, since Iglesias — a man who has sold over 100 million records in his career — is typically dynamite onstage.

Michael Tilson Thomas and the San Francisco Symphony made the point with considerable style and flair Wednesday evening at Davies Symphony Hall, reviving Leonard Bernstein’s exuberant 1944 musical in a semistaged production that felt about as fully realized as this great American classic can get, Adapted from the Jerome Robbins ballet “Fancy Free,” which featured a Bernstein score, “On the Town” was made into a Broadway hit with the addition of book, lyrics and narration by Betty Comden and Adolph Green, Funny, sexy and ineffably poignant, it’s the story of three sailors on a 24-hour shore leave, looking for love and a last hurrah in New York City before shipping off to battle, Forever linked to the triumphs and sorrows that marked the end of World War II, the show has been revived on Broadway, reworked as a film and performed in numerous ballet flats melbourne concert versions..

That’s not to say there aren’t some bright spots. Alex Rodriguez as Nicely-Nicely Johnson is one. Rodriguez seems to know who he’s playing and what he’s doing on stage at all times. (For one thing, he’s always eating, which is one of the few comic touches in this show.). As Sarah Brown, who helps run the “Save the Soul” Mission near Times Square, Kelly Britt is a charming breath of fresh air. It doesn’t hurt that she sings like an angel. Her songs, especially “If I Were a Bell” and “I’ve Never Been in Love Before” seem genuine and sweet, as if she really is falling in love. Not so the object of her affection, Sky Masterson (a wooden Jack Mosbacher who apparently can’t resist staring out at the audience even when he’s talking to people beside him). Mosbacker’s good looks and vocal capabilities are apparent, so it’s unfortunate that he’s such a robotic actor.

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